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(Cann is set to collaborate on a beverage.) And Fantom Flower-a collaboration with her son, Enzo Rossi, and other partners-is just about to start construction on a cannabis lounge in West Hollywood.
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She mentions her nonprofit, Give Love, which focuses on ecological sanitation in the developing world. Arquette is also set to direct, produce, and star in a Showtime limited series, called Love Canal, about a 1970s grassroots push for environmental justice. There is the upcoming High Desert along with a green-lit second season for Apple TV+’s Severance, in which she brilliantly plays the icy, rule-abiding middle manager Harmony Cobel. “I feel like I’m knee-deep in like 12 projects,” she exhales, when asked about the current ebb-and-flow of work. And it’s medicine!’”Īrquette is now a cannabis entrepreneur herself. I’ve fought with your dad so much about weed, and now here I am having to smoke weed again. “Oddly enough, later on, when my mom had cancer, she was so nauseous from her chemotherapy that my sister had to buy weed on the street. “Growing up kind of feral and wild, climbing trees and never having shoes on-it’s just a different kind of life.” She remembers laying in tall grass and discerning shapes in the passing clouds-the kind of headspace that, to a modern listener strapped to a computer, sounds a lot like why people get high.īy the time they settled into California life, Arquette’s parents had a “serious divide” on the subject of cannabis. For a few years in early childhood, Arquette lived with her family on a commune in Virginia, a place long on ideals, short on resources, where “drugs and alcohol were pretty frowned upon.” But it instilled an open-armed approach to nature. “Weed was kind of always a bit of a conversation around the house.” Her mother was a poet, her father a character actor (he spent time with Chicago’s Second City group) all five children eventually went into acting. “I have an interesting history with cannabis, I guess, in that my dad was a real stoner growing up,” Arquette says, in her plainspoken way. “This is what I feel like I need after this pandemic.” My sister, Alexis, was transgender and she passed away from AIDS, which is still a real present danger in the world,” the actor explains, recalling the “incredibly moving” experience on the Cann set. “I’m an old battle axe-it’s hard to make me smile,” she says, “but also it's deeply personal for me. “In a world where ‘Don’t Say Gay’ is gaining traction, how do you scream gay rights? Well, it’s with a utopia of queer joy.” Arquette echoes that sentiment, describing an “immediate kind of kinship” with Anderson and his vision for corporate advocacy. “Patricia is electric,” says Cann cofounder Luke Anderson, talking about the concept brought to life by director Jake Wilson and production company London Alley. The campaign arrives in sync with the new Lite versions, with no added sugar the first of four flavors to drop is Honeydew Mint. Her onscreen persona, delivering spanks and girl-group choreography while dressed in a lipstick-pink playsuit and Lucite pleasers, is a far cry from Miami retiree.Ī pink-streaked Patricia Arquette with Kesha (left) and Jorgeous on the set of Cann’s “Taste So Good” video. “I was joking on the set that I was representing The Golden Girls, the sort of middle-aged woman,” Arquette says. Days earlier, the actor joined a colorful cast of performers- RuPaul’s Drag Race’s Willow Pillow and Kornbread, musicians Kesha and Hayley Kiyoko, and Sarah Michelle Gellar among them-to film a new campaign for Cann, the queer-owned brand of low-dose “social tonics.” (Stockists by state can be found through Weedmaps, which cosponsored the project.) Styled like a neon-bright music video with a new track by Leland, it’s an over-the-top cosign for Pride Month and inclusivity. I got ripped off back in the day, back when I was a sucker,” she adds with a knowing laugh.Ĭannabis is front of mind. “I remember buying weed when I was little and it was oregano one time. “I’ve grown up in California since 1976-cannabis has always been a big part of the California culture,” Arquette says by phone from Hollywood. The name of the series, in keeping with the state’s stance on certain recreational drugs, winks at more than geography.
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And in the upcoming Apple TV+ series High Desert, Arquette plays a woman in recovery in Yucca Valley, spurred to become a private investigator following her mother’s death. In Lost Highway, her two alter-egos-one brunette with cropped bangs, the other platinum blonde-bring screen-star classicism to David Lynch’s moody universe. On the lam in True Romance, she soaks in the open-road sunshine, her teal bra and cow-print miniskirt one-upping the purple Cadillac convertible. The Patricia Arquette of the mind’s eye belongs in Southern California.